Rongxin Culture: Yuhe Culture Achieves Over 100 Million Views Across Platforms for Multiple Works Through AI Comic Drama Industrialized Workflow
Rongxin Culture's controlled subsidiary Yuhe Culture has achieved full AI coverage of scriptwriting, storyboarding, rendering and other stages through an industrialized AI comic drama workflow, with multiple works surpassing 100 million views across platforms; its self-developed MuseAI workflow is integrated with large models such as ByteDance Seedance. On the distribution side, it has established channels on Douyin, Hongguo, WeChat Channels, Kuaishou and Bilibili, and partnered with Mango TV, with TikTok as the main overseas channel. Its controlled subsidiary Zhiqu Technology has signed a framework cooperation agreement with Volcano Engine to advance the commercialization of "content + AI Token operations," with orders still under negotiation.
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On November 2, several listed companies released announcements of investor relations activity records, disclosing the content of their business exchanges with institutions, which revealed many developments and highlights in the companies' business layouts.
Rongxin Culture: Adheres to "Content + IP + AI Applications"; multiple works of Yuhe Culture have surpassed 100 million views across all platforms
Rongxin Culture recently accepted research from multiple institutions including Zhongtai Securities, E Fund, IDG Capital, and PICC Asset Management in the form of a conference call.
According to Rongxin Culture, in the AI content field the company adheres to the strategic path of "Content + IP + AI Applications," and through the development of AI animation on children's themes and the commercialization of AI dramas/AI comic dramas on mass-market themes, it is deeply advancing AI dramas, AI comic dramas, and AI animation, and will explore interactive content products to extend products from "watching content" to "playing content."
In terms of commercialization of AI dramas/AI comic dramas on mass-market themes, the controlled subsidiary Yuhe Culture uses an industrialized AI comic drama workflow to achieve full AI coverage of links such as scripting, storyboarding, and rendering, forming a closed loop of "IP reserve - industrialized production - all-platform distribution - diversified monetization." Multiple works have surpassed 100 million views across all platforms. The self-developed MuseAI workflow covers the entire chain of scripting, storyboarding, and rendering, and is connected to large models such as ByteDance Seedance; on the distribution side, it has connected Douyin, Hongguo, WeChat Channels, Kuaishou, and Bilibili, and has deep cooperation with platforms such as Mango TV.
In terms of going overseas, Yuhe Culture has entered the overseas track of simulated-human and 3D comic dramas. Its current main channel is TikTok, and it is advancing the implementation of multilingual AI dramas and AI comic dramas while carrying out localized adaptation for different regions.
Token operations are still on the eve of order implementation. The company's controlled subsidiary Zhiqu Technology is actively advancing the commercialization of AI applications. In May 2026, the company signed a framework cooperation agreement with Volcano Engine to transform massive high-quality content and IP into a "knowledge base" that can be retrieved and invoked by AI large models, achieving commercialization through the "Content + AI Token Operations" model; in September, it presented more than 60 vertical AI applications for children at Huawei Connect, and the related applications have been listed on Huawei Cloud.
"At present, the company is conducting negotiations on cooperation matters and will advance the implementation of orders."
International Composite Materials: The Q cloth pilot project is being orderly constructed and advanced; T cloth has been supplied in small batches to mainstream customers
International Composite Materials recently held a performance briefing and interacted with more than 120 institutions including CITIC Securities, Western Securities, and Morgan Stanley.
According to the introduction, the company has formed a gradient product matrix of LDK first generation, LDK second generation, and low-expansion CTE. As of now, the LDK first and second generation products have entered the supply chains of multiple leading copper-clad laminate manufacturers at home and abroad and achieved stable batch supply; CTE products have achieved small-batch supply.
In terms of newly added production capacity, the company's new kiln production line is currently carrying out debugging and capacity ramp-up in an orderly manner. "The company is advancing mass-production preparations according to the established plan and will make every effort to push the production line to achieve expected output as soon as possible."
The company has mass-production capability for second-generation cloth and is advancing capacity deployment according to customer demand, but loom resources still cannot fully absorb its own fine yarn production capacity - the loom procurement and delivery work launched last year is proceeding in an orderly manner according to contract terms, and the pace of equipment arrival is affected by multiple factors such as production scheduling and logistics; domestic looms are in the experimental and trial stage, and efficiency, precision, and yield still need to be verified.
According to International Composite Materials, the company has mass-production supply capability for second-generation cloth and is orderly advancing capacity deployment. The overall supply-demand relationship in the electronic cloth sector is currently tight, but there is structural differentiation.
In terms of product progress, the company's T cloth has been supplied in small batches to mainstream customers, and there is still a large gap in current supply. Second-generation cloth is constrained by production capacity and at this stage priority is given to strategic customers. The Q cloth pilot project is being orderly constructed and advanced.
(Source: East Money Research Center) Embedded advertisement in the middle of the main text