The Wardrobe Always Lacks One More Shirt: A Practical Discussion of Decluttering and Style Rebuilding

October 28, 2026 · 21 min read

Always One Shirt Short: A Practical Talk on Decluttering and Style Rebuilding

Main author: Hong Ling, a Minority Report author. Hong Ling, Hong Ling, a Minority Report author. Co-author: Hong Ling, a Minority Report author. Hong Ling, Hong Ling, a Minority Report author. Scan the WeChat QR code to share.

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Image credits: the header image is from Unsplash; the in-text physical object images were generated by GPT, and the charts were generated by Claude; some magazine images and stills are credited in the text.

Having lived independently for many years, I have also gradually accumulated a closet full of clothes. Although I insist on the good habit of decluttering every year when the seasons change, recently I have frequently fallen into the situation of "always feeling I don't have enough clothes to wear." After careful analysis, it is not really because the number of clothes is insufficient, but more like "I'm going to a certain occasion, and the items in my closet and my existing outfits cannot meet my needs."

There are probably three reasons:

Even though I declutter every year, among each year's new purchases there are inevitably still clothes that don't suit me;

The proportion of clothes I own is not commensurate with the proportion of clothes I need to use;

I have enough individual items, but it is difficult to combine them into a sufficiently diverse set of complete outfits.

It was also at this time that I realized that "decluttering every year" does not equal having carried out management planning for "my own closet." Decluttering is more like clearing out clothes that are no longer needed, but "image management" includes more dimensions, such as finding clothes that suit one's own looks, figure, temperament, and status, and choosing the various images to present to the outside world when wearing clothes.

So taking advantage of this year's seasonal change, I re-examined and adjusted my closet. The ultimate goal is to keep all kinds of items in the closet at appropriate proportions, so that they can not only meet daily needs, but also be combined into clothing outfits that respond to different occasions and build different images. Two months after finishing the organization, I am fairly satisfied with the current state, and I have also reduced my cognitive burden, with many fewer moments of agonizing over "what to wear."

Part I: Decluttering

To declutter, the first step is to know what clothes you have.

I first took out all my own clothes at home and separated them by category. First, I roughly divided them into tops, bottoms, outerwear, dresses, and so on, and then assigned different areas to each category and arranged them separately, so that later when reviewing I could evaluate them one by one by different types. Making physical separations in space, first, prevents them from interfering with each other, and second, gives a full sense of accomplishment when finishing one area/category. Shoes and accessories get dirty and lost easily, so they were done separately later.

I did not make the classification in this step too detailed. For example, for the category of shirts, I did not subdivide whether it was a tie-front chiffon shirt or a stiffer oxford cloth shirt, but put them all into the "shirts" pile. I also placed items with roughly similar styles together. For example, at that time I arranged the shirts into a spectrum: from solid-color, low-key, stiff fabrics, to light-colored, soft materials, and then to strong design sense and intense colors.

Flat-lay diagram

Basic principle for arranging items of the same type: transition from low-key, everyday, versatile colors and materials, to relatively neutral colors, and then to items with both strong design sense and strong colors.

At the same time, I also paid attention, within different categories, to observing which clothes have more seasonal characteristics, and picked them out separately to make a more detailed classification.

For example, T-shirts are summer tops with an obvious style, while sweaters are basically only brought out in autumn and winter. Some clothes can be worn across multiple seasons; for example, camisoles can be worn alone in summer and also as inner layers in spring and autumn. At such times I would recall which scenario is actually more common in real life, and use that as the basis for dividing the seasons.

Finally, I considered factors with slightly less influence, such as the way of wearing, style, and those less important details (such as material and fabric, ease of care, practicality, and preference for how it looks when worn). After this round of organizing and classifying, it was basically clear what kinds of clothes were in the closet.

A wardrobe listed separately by season. It can be seen that spring/summer and autumn/winter clothes actually overlap to a large extent; how detailed the division should be still depends on how distinct the seasons and climate are where you live.

The second step is closer to the concept of "decluttering." I adopted the pyramid layering method:

First, of course, is resolving to give up those clothes that are no longer suitable to wear. For example, clothes that are already damaged, and those that obviously do not fit or are unsuitable. Also those clothes that are not often worn, are not liked, and obviously do not match the current state of life.

Throwing away clothes bought with one's own money always carries a psychological burden, so this step can help me enter the state of "about to start throwing things away," temporarily setting aside my feelings about certain pieces (not so expensive, and not so worth keeping).

There are some basic decluttering rules for reference:

Obviously damaged and no longer suitable to wear (e.g., pilling, relatively hard-to-remove oil stains or spots);

Materials that require a great deal of time and effort to care for (e.g., clothes that shed lint, suit trousers that are very difficult to iron, natural materials that cannot be washed with water);

Items that are obviously big hit styles from a certain year at a glance, and that do not particularly stir your heart;

Outlandish clothes you no longer appreciate, outfits unsuitable for your current age, and clothes that do not match your own temperament and aura;

Clothes bought at the time to motivate yourself but that are obviously unsuitable.

The hardest category to deal with is clothes that are expensive or of good quality but simply don't suit me. Throwing them away feels like a waste, but keeping them is of no use either. My understanding is that it still comes down to adjusting one's mindset, and this is also a major meaning of decluttering: the main point of decluttering is to make the resources already at hand serve you better. Items are just items; they cannot and should not carry anything more. Of course, if such clothes can be reused (for example, sold secondhand, re-tailored into a style you want, or given to relatives or friends), that is all very good too.

After removing the discomfort of "how can I throw away perfectly good things," I move on to more refined selection.

Within the same category, I find similar and duplicate items, pick out the few I like more and wear more often, and the rest can be decluttered with relative peace of mind. After dealing with this many times, I also realize that this type of clothing should be my comfort zone. Its colors, cuts, and common styling ideas make me feel "drawn to it," "comfortable," even "safe." There may indeed have been a few pieces that made me think, "This is really nice, I can buy more of this in the future," yet after buying them, because of how the actual item looks when worn, its tailoring, and how easy it is to care for, I ended up favoring those few pieces more.

There are also some clothes that I discovered when organizing my photo albums a while ago. Although I quite like them and often wear them out and take photos in them, their actual effect on me when worn is not really that good. I have also set these clothes aside separately as reserves for decluttering. This also reminded me which types of clothes are actually less suitable for me than I imagined, providing a good reference for choosing clothes in the future.

A clothing classification method I think is worth learning from: ESO (Elaine's Standard for Outfit). Original post link: https://weibo.com/2323690112/QF2pc8moP

After going through all the clothes, I have a fairly clear sense of where they sit on the "keep—discard" spectrum. The remaining, undecided clothes can basically go into the pending zone, and whether to keep or give them away will be decided based on the next round of evaluation.

I will set these clothes aside separately and leave a 30-day cooling-off period. During these 30 days, I will do my best to find reasons to wear them out and brainstorm suitable combinations for them within my existing wardrobe (but I will not buy new clothes in order to match these items). If after 30 days I really find more than 2 occasions to wear them out and they feel pretty good, then I will keep them; if I cannot find any, it means this item really has no use for me and there is no need to keep it—better to let it go.

I also did one other thing here: I built a database for the clothes I kept. Theoretically, an electronic database is of course more effortless and convenient, and easier to consult in the future, but there are too many clothes, and building the database would require photographing them one by one. Just thinking about the workload made me feel a bit tired, so I adopted the most plain method: making a text table that roughly records the features of the clothes. I did not aim to photograph every item; being able to "remember which one it is upon seeing the description" is good enough.

The main purpose of this step is still to ensure that when building a personal style in the next step, I am clear about roughly what items I have around me. This can effectively prevent me from buying many unnecessary things in order to complete my wardrobe, or avoid once again running into a situation like the one just now during decluttering: buying too many highly similar items within the same category, causing resource mismatch and duplicate purchases.

As for the clothes I decide to give away: for those that can still be worn but have minor issues such as stains or pilling, I will choose to throw them away or donate them; for some clothes with a strong sense of design that I will no longer wear, selling them secondhand often recovers some money. This time I also sorted out some clothes that clearly have considerable value—either expensive or of good quality—but are obviously no longer suitable for me. Rather than simply throwing them all away or donating them, it would be better to find a tailor to alter the style, or give them to relatives and friends who need them. As for those clothes I find meaningful, I no longer insist on keeping them by my side; instead, after carefully styling them and taking photos as a memento, I put them in the storage room at my hometown.

Part II: Style and Image

As mentioned earlier, another purpose of this year's decluttering is to make my wardrobe better serve the image I present to the outside world. Although there are enough clothes in the wardrobe, when combined they cannot form outfits that are stylistically harmonious and sufficiently flattering to me.

Therefore, after a round of decluttering, I need to think clearly about "what scenarios I may appear in" and "what image I need to present and maintain externally in these scenarios." Then, based on the clothes left after decluttering, I can clearly see what other clothes are needed to achieve the state I have in mind.

So in this section, I will share how I determine the keynote needed for my daily outfits by analyzing my life scenarios and specific needs, as well as the image and demeanor I need to present in each scenario.

Of course, if you do not know much about your body shape, temperament, suitable styles, and preferred styles, there are many "style tests" online that can give you a basic judgment, and there are also many detailed tutorials on Xiaohongshu that can help you distinguish in more detail from aspects such as body type, facial features, figure type, and skin color seasonal type. Many first- and second-tier cities also have offline image management coaches who can give you more detailed advice.

The style test done through the Indyx app, in addition to style interpretation, also gives specific items, fashion celebrities you can refer to, and brand recommendations at various price points.

The first step is to list the scenarios in which you might find yourself in your daily life. For me, for example, work scenarios account for more than 70%, so most of my clothes must first meet the dress code for work; 15%–25% of the time is going out, when I want to look good and not feel too constrained, but sometimes, for the sake of a better overall effect, I don't mind sacrificing a little comfort; and finally, clothes for wearing at home or for very short trips out (such as taking out the trash or buying fruit at the entrance of the residential compound) account for 5%–10% of all clothes. Clarifying the proportions of these scenarios, as well as the priority ranking of functionality, aesthetics, and comfort in each scenario, is the core of building an efficient wardrobe.

Of course, each major scenario can be further subdivided. For example, an ordinary workday, a date after work, needing to give a presentation on stage, or coordinating with clients all have slightly different requirements for clothes, but overall they all fall within the framework of work style. Clothes for going out vary even more; some scenarios have specific requirements for aesthetics, while others have extremely high requirements for functionality and comfort. For example, on long-haul flights, taking walks during travel, or eating hot pot and gossiping with close friends, comfort definitely comes first; going to cold places, high-altitude outdoors, or encountering rainy days makes functionality a rigid necessity. And if today I simply want to go out looking beautiful, aesthetics naturally outweigh everything else—even if the clothes have no pockets and the shoes cannot walk long distances, that is not a fatal flaw.

When building a wardrobe, you must put "the proportion of scenarios in which something appears" first. Otherwise, you may invest in many clothes that look good when worn but account for only 10% of scenarios, and in the remaining 90% of scenarios you still feel you have nothing to wear—making this a bad deal.

Once you have clarified the image you want in each scenario, the next step is to translate these needs into specific style language.

There are many common clothing styles, such as workplace commuting, American vintage, sporty casual, relaxed old money, and so on and so forth. Each style also has its own highlights and characteristics. For example, the crisp tailoring and clear lines of workplace commuting clothes can quickly establish a professional and reliable visual image; French vintage style uses more curved lines and soft fabrics, and its colors are more varied, giving a more elegant and gentle feeling.

Take work as an example. Even within the same work scenario, the impression I want to leave is not always the same. When meeting clients, approachability and professionalism are most important; the clothes should make people feel that I am reliable and easy to communicate with, rather than distant. For moments that require "holding the room," such as giving a presentation, I need the structure of my clothes to support me: as soon as I put on a suit with crisp shoulder lines, I unconsciously stand up straighter, and this body language in turn gives me positive psychological suggestion1. If I have a date after work, I want to look a bit cuter and match the atmosphere of the restaurant, so I will also change into more delicate jewelry. As for going hiking, comfort and meeting functional needs (for example, enough pockets that are large enough, and an outer layer that is windproof and rainproof) move to the front.

If you are still not clear about which styles you will use and which suit you, you can first look for representative brands and outfit images for each style, then cut them out and place them into the scenarios in which you more often appear, to see whether they match. Then, based on whether the clothes are curved or straight and whether the materials are coarse or fine, decide whether a garment can accentuate your strengths and avoid your weaknesses and shine on you.

Next, according to your own degree of suitability and needs, you can roughly draw a style matching chart like the one below2. For styles that suit you best and can often be used, you can allocate more items, and when considering outfits, also give priority to whether they are suitable for this type of style and scenario; for styles you like but that do not suit you, if you want to keep them, you can keep a few items, but the overall proportion can be smaller, and you do not need to invest as much budget.

Finally, based on the seasons and weather of the place where you usually live, decide which specific items you need for each category and how many pieces of each, then review the wardrobe items you already have, and you can move on to the next step.

Part III: Outfit Coordination and Building

Next, based on the wardrobe items you already have, combined with your body shape and appearance and the image needs of your scenarios, fill in the gaps and build a wardrobe sufficient for daily life use.

I listed a table on paper, then filled in my plans and the items I actually owned one by one, and from this decided my approach to building my wardrobe. If you like electronic notes, you can achieve the same effect with iPad Freeform, and because its canvas can extend infinitely, it even gives you more space for free play.

The final product is roughly as shown in the figure. Generated by Claude combined with actual product images for layout

On the left and right sides of the page, I wrote my body characteristics, scenario needs, style needs, and color preferences, so that I can refer to them at any time and prevent myself from being too unrestrained when making plans, considering only preferences and forgetting compatibility (.

In the style area on the right side, I also list several fixed outfits that match the image I want to present. For a power suit, I use neatly pressed suit jackets, suit trousers, and leather shoes; to create a sense of approachability, I switch to a combination of a skirt suit and low heels. Once I become more familiar with this, I can slowly pay attention to the temperamental differences caused by details. For example, khaki trousers and suit trousers, shirts in oxford cloth or silk, loafers and pump high heels may all superficially belong to the same category, but the temperament they give off when worn may be very different. However, these are advanced methods; once you are familiar with them, you can gradually feel them out.

In the middle is a huge table, which is also the main battleground of the wardrobe plan. Each row is a different category of item by body part (tops, trousers, skirts, dresses, outerwear, shoes, accessories, etc.), and each column represents the different "tiers" of each item. The leftmost first column holds basic pieces (usually unrelated to building a style, but often a safe bet in outfit combinations), then from left to right it goes from the simplest and most versatile, to the trendiest, most design-forward, most unique, and most stylized, and the final column is also given over to functional items.

Then, based on the dressing style needs you have set for yourself, fill all the items required for that style into this table. Arranging by item type and complexity rather than by style also makes it easier to reuse basic pieces when putting together outfits, using only a few strongly styled pieces to build the main stylistic character, thereby avoiding a repeat of the situation where you buy similar clothes over and over again. For a new style you want to try, you can also start with "buying one strongly styled top/outerwear/accessory" (often called a statement piece), mix and match it with items already in your wardrobe, and then understand from your own feelings and others' feedback whether it really suits you, before deciding whether to invest.

Reuse items, and use the fewest items to create the most styles and suitable occasions

In this process, you can also think about what common combinations look like for each occasion, and whether the items listed in the table can form several common combinations for a certain style. For example, whether the shirts, trousers, skirts, etc. needed for commuting to work can meet the needs of at least five or six days. If the outfits for a certain style are all made up of items you dislike, that do not suit your body shape, or that are uncomfortable to wear, then you also need to reconsider whether to keep this style.

After that, compare with the clothes you already have (the clothing database sorted out after the earlier decluttering comes in handy here) to find the items you lack. Then, based on your budget and the substitutability of existing items, make a shopping list. There is no need to rush to buy everything at once; accumulate slowly. As your self-understanding and overall aesthetic gradually improve, buying clothes will also become more effortless.

Then there are some small principles I use when buying clothes:

Before the wardrobe is fully built, the basis for buying clothes is that they must suit my body shape and style and meet actual needs. For most clothes, when trying them on in the fitting room, they must achieve "love at first sight." If the try-on result is not good, do not force yourself to keep it, because if you do not like it at first sight, it will be hard to like it later. If something is optional, do not buy it. When choosing between two similar clothes, fit > material > design (color > pattern). When the fit is similar, choose the one that better highlights your strengths. Even for basic pieces, buy basic pieces that have something about them that makes you like them to a certain degree, rather than buying them because they are cheap/versatile. If everything in the wardrobe is something you have taken into consideration, then throwing something on when going out will more easily look good.

In the early stage of building a wardrobe, it is recommended to buy only basic neutral colors, which are easy to match and have a low cost of error. Once you gradually have aesthetic sense and confidence, then introduce more noticeable colors. Generally, it is recommended to start with small areas, make variations within the same color family, find the boundary of your comfort zone that suits you, and then slowly push outward. For most people, 70% basic colors + 20% advanced colors + 10% bright colors is a ratio that is safe yet not boring. If you are interested in going deeper, you can take a color season test to figure out which shades of the same hue, at different levels of lightness and saturation, suit your skin tone better.

Among the various categories of items, shoes and trousers are often harder to buy in a way that suits your body shape, so they are more worth spending money on researching and trying until you find the most suitable ones. Shoes are worn for long periods, so the comfort of your feet and joints must be taken care of to the greatest extent. On the premise of looking good, comfort is always the first priority, and it is well worth spending more money for that. For trousers, I like to buy basic styles from mature commercial brands. Once I find the right fit, I can then blindly repurchase the same style, which greatly saves time and energy.

The more often a garment is expected to be washed, the more you can save money on it as long as it meets basic functions. For example, tops are washed more frequently, while outerwear and shoes require much less frequent care, so from this perspective, a good coat is more worth investing in than a top.

When buying clothes, you need to seek a dynamic balance among functionality, comfort, ease of care, and aesthetics according to the actual use of the garment. Adjust the priority of each standard according to the usage scenario, rather than requiring every piece of clothing to be the best in all aspects. For highly functional clothing such as hardshell jackets, durability, practicality, and maintenance cost should be prioritized; for special occasions such as weddings and business meetings, appropriateness, professional image, and suitability for the occasion should be put first, and comfort can be appropriately sacrificed when necessary. In daily life without special dress requirements, you can place more emphasis on comfort and personal aesthetics and appropriately lower the requirements for functionality.

If you need to change clothes frequently, buying clothes in a concentrated way each year saves more money and is more efficient than spreading purchases across every month. Think ahead about the occasions and needs that may arise in the next six months, decide the main colors, styles, and items, and it will be easier to ensure consistency in color and style and also prevent duplicate purchases. It is inevitable to spend more when you first start building a wardrobe, but once the wardrobe has taken shape, following the one-in-one-out principle will not cost so much.

Assume that this year's fall main color palette is orange-yellow, beige/brown, and denim blue. The outerwear and accessories you may need are the ones shown in the image; put together, they look very harmonious, can be paired with each other, and can also match the basics already in your wardrobe. When shopping, you can focus on finding similar styles and just buy one of each. Image source: CLUEL October issue.

And some thoughts from a financial perspective:

From the perspective of financial planning, once the wardrobe has taken shape, a clear image-management budget should be set each year, incorporating clothing expenditures into overall financial planning. Image management covers various expenses such as clothing, jewelry, makeup, hair, beauty, and skincare, and in principle should not exceed 5%–15% of pre-tax annual income, with the specific proportion depending on personal needs, income level, and financial structure. Over the long term, the ideal state is for asset returns to cover such expenses rather than continuously relying on labor income, thereby reducing the impact of image maintenance on wealth accumulation.

In specific consumption, a more reasonable approach is to include image-management expenses such as clothing and beauty in the mental account of functional consumption, choosing them like buying computers, phones, and other electronic devices based on actual needs, frequency of use, product quality, and substitutability, and to establish clear price expectations and payment ceilings. Compared with functional consumption, emotional consumption aimed at "pleasing oneself" often lacks objective standards for measuring value, making it easy to lower one's sensitivity to price and turning originally limited actual needs into consumer desires without a clear upper limit. Therefore, one should try to avoid treating image management as a means of self-reward or emotional satisfaction, and instead base decisions mainly on actual use value and a reasonable input-output ratio. On the basis of meeting basic functions and personal aesthetic needs, it is worth investing only when the improvement in external image can truly bring positive returns in social, professional, or other aspects.

Part IV: Beyond the Wardrobe

A wardrobe is not something that can be built once and then left unattended forever; regular review is still necessary. The more material you accumulate, the better you know what suits you, what you like, and what does not suit you. Many imperfect aspects are often hard to notice at the moment, but when you look back while organizing your photo album a few months later, it is instead easier to realize where there is still room for improvement.

Regularly reviewing through photos is a low-cost, high-accuracy way to calibrate your wardrobe. In daily life, consciously take more photos, and besides selfies, also look for opportunities to ask others to take photos for you. The lens restores a version of yourself closer to how others see you; many outfits that look good in the mirror may not look that way in photos, and vice versa.

The details that photos can reveal are often more specific: whether the color flatters the skin tone, whether the cut suits the current body shape, and whether details such as neckline, sleeve length, and hem are harmonious in actual scenes. Particularly noteworthy is the background color: in the city (black, brown, off-white), out in the park (large areas of green, occasionally yellow), and at the seaside or in snowy fields (blue, white) are several completely different color environments, and the same piece of clothing may have vastly different degrees of harmony when placed against different backgrounds. Being clear about the dominant colors of your own life scenes can in turn be used to guide your usual clothing-purchasing direction. Looking at them in photos also makes it easier to notice the harmony of accessories: for example, a little trick is to choose jewelry materials close to the materials of the lighting fixtures in the venue, and the whole look will appear more harmonious.

The accumulation of aesthetics is a long-term investment, and it is much cheaper than shopping. If you happen to live in a city with good aesthetics (New York, London, Paris, Tokyo), pay attention to passersby's outfits when you go downtown, and follow street-style bloggers based in major cities on social media; you can often gain a lot of inspiration. Going to malls and multi-brand boutiques with good aesthetics to draw inspiration is also a good choice. Each style also has its own representative brands: for example, Zara's model images are always at the forefront of trends, for old-money style look to Ralph Lauren, for workwear vintage style look to Filson, for gentle beautiful-girl style refer to SNIDEL, for vacation dresses pay attention to House of CB, and if you want to avoid mistakes at work, look to Theory.

Another convenient way to encounter various aesthetics is through all kinds of outfit images on the internet, with the most resources on Xiaohongshu and Instagram. Just like cultivating a "photographic eye," when you get a photo that looks "good" at first glance, first cover the model's face, then ask yourself: Is this photo attracting me because of the outstanding pose, the outstanding face, or the outstanding clothes? For images that hold up at the clothing level, extract the factors that make them most different from and most striking compared with everyday outfits: perhaps color, perhaps style, perhaps silhouette, perhaps contrast in materials, then find similar situations in your own wardrobe and try to put together outfits. You can also use AI image-generation tools to do controlled variables, changing only one item to feel the impact of that change on the overall image and outfit.

Record these observations. Over the long term, you will find that you are always attracted by a certain type of style, a certain color, or certain combinations; then there is a high probability that these are what you like and what you want to try, so you might as well try putting them together, and perhaps this will open the door to a new world.

Beyond the wardrobe, it must be admitted that how clothes look when worn depends more than half on the person wearing them. A striking hairstyle, posture, and overall temperament often add a great deal to clothes. Spending a year and several thousand yuan on a personal trainer to adjust posture and reduce fat while building muscle is often more cost-effective than spending the same amount on more expensive clothes. In a sense, spending money on maintaining the body is the investment with the highest return among all clothing investments.

Fat loss, medical aesthetics, and plastic surgery are all choices, not necessities. What you truly need is a clear understanding of who you are, what suits you, and who you want to become. If you want to live more like a certain kind of person, you might as well start by dressing like that kind of person. Clothing creates psychological suggestions that affect your posture, your word choices, and even the way others respond to you.

In the workplace and in life, this mechanism can absolutely be used to your advantage. If you want an elite feel, dress seriously; if you want to attract a certain type of person, first use clothing to convey that signal. Just as you need to read literature, follow the latest discussions, and attend trade shows in your spare time to build professional knowledge, appropriate dressing is also part of establishing your own authority. A lawyer once said that no matter what his colleagues wore, he went to work in a suit and tie every day. As a result, whenever the company needed someone to go out and meet clients or give presentations, the opportunity always fell to him, because he was the one in the entire company who looked the most "ready," so naturally a great many opportunities fell to him.

Conclusion

The biggest insight from this year's decluttering is that clothes actually have their own cycles. After a period of time, whether because of changes in your figure or a shift in the occasions you go out for, you will find that some clothes no longer suit who you are now.

This round of organizing and review has basically achieved the goals I wanted: on workdays I have a simple, no-brainer outfit formula, so I don't have to stare blankly at the wardrobe every morning; when a special occasion calls for extra dressing up, I have enough pieces and styling ideas to find an outfit that is both appropriate and makes me happy. Integrated as a whole system, it has greatly reduced my cognitive load—at least for the next while, I won't have to worry about how to dress.

Going forward, I plan to do a larger-scale review every three to five years. There are two reasons: first, people change—their mood, the focus of their life, and their daily scenarios all drift, and a style that suited you three years ago may not be what you want now; second, the body changes too. If some subtle postural issues are not addressed in time, in three to five years they often reach the point where they begin to show. Re-examining the wardrobe then is also an opportunity—to use clothing to actively work with and correct your current physical state, rather than passively making do with clothes that no longer fit.

After experiencing two opposite states of consumption, I began to rethink the matter of keeping track of expenses

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