Blue Planet III keeps the rough edges of its images in the AI era
BBC's Blue Planet III proves its authenticity by keeping imperfect shots, deliberately not cutting out plankton, boats, or buoys on the water's surface, nor discarding footage because of poor water quality. Executive producer Elizabeth White says real marine life "may be more extraordinary than AI can imagine."
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BBC’s Blue Planet III is looking to prove its authenticity by leaving in the less-than-perfect shots. Previous incarnations of the nature series were defined by their gorgeous, crystal-clear footage that seemed almost too good to be real. But one dead giveaway of AI is when things look too polished and seamless. To counter that, Blue Planet III goes warts and all.
Executive Producer Elizabeth White told The Guardian in the past, “the amount of plankton and things” floating in the water would have caused them to cut a shot. Or “we might have framed out a boat or a buoy or gone: ‘Oh, actually … the water conditions are not really good enough for this.’” Instead, this time they’re leaving it all in to show a more authentic, organic version of the oceans.
The series features incredible displays of dolphins trapping fish by plugging holes with sea sponges, inter-species fish communication, and 200,000 crabs lining up in formation to feed. White says that real ocean creatures “are probably more remarkable than AI could imagine.”